Rose – Does anything actually happen in this episode? It introduces our two leads, a slow-witted grinning idiot of a Doctor and an utterly un-interesting companion. There's no plot to speak of, childish humour, mixed with some extremely bad pacing and incidental music. What else is there to say, really?<br /><br />The End of the World – A marginal improvement, in that we see our first outer-space scenario. Subsequently brought down by poor contemporary humour, paper-thin logic, very poor pacing, and tired SF clichés.<br /><br />The Unquiet Dead – Best episode to date showing what can happen when someone knows how to structure an episode, write interesting character dialogue, AND integrate an intriguing plot. Let down solely by the Doctor and Rose.<br /><br />Aliens of London/World War Three - Doctor who degenerates into farce. What more can be said. Penelope Wilton brings the proceedings a little gravity, trying her best in dire circumstances. Some poorly written, and out-of-place soap opera elements come to the fore in these two episodes, and a return to poor pacing, bad plotting and cringe worthy humour/satire.<br /><br />Dalek – Not great, however still far above the RTD fare to date. The pacing and script are all fine (though the Doctor and Rose still irritate). The effects and menace of the Dalek are introduced well. The finale, however, took an interesting premise that reduced the Doctor's most notorious foe, into a cuddly touchy-feely mess, and turning a previously un-seen menace, to a blue rubber squid that looked like a child's toy.<br /><br />The Long Game - The first RTD script to show any plot, even if it was in a clichéd 80s style. Still, it was marred somewhat by his usual over-reliance on juvenile jokes, placing it too far in the future to make logical sense, and again poor pacing. Not as bad as his previous efforts, but instantly forgettable.<br /><br />Father's Day – The initial premise could've been vaguely interesting, but common sense and logic abandon this episode from the very beginning. Also, we are treated to a whole episode of Soap Opera. Before you start thinking this is all about characterization, remember, there's a big difference between lame Soap Opera and characterization. On the plus side, it does prove RTD isn't the worst script writer so far.<br /><br />The Empty Child/The Doctor Dances - This started off in a mediocre way, with some cringe worthy moments, and some illogical mistakes that even a primary school pupil wouldn't make (Well lit windows in a blackout, anyone?). After this, the first part takes a more interesting and sinister turn. Florence Hoath truly steals these episodes, showing us what an interesting companion could've been like. She could also act. Instead we get the annoying and politically correct Captain Jack as the new companion. The conclusion was a little hasty, but sufficient. The pacing and script improved with a reasonably good storyline, making these two episodes quite atmospheric and intriguing. <br /><br />Boom Town - I have to be honest, except for a few examples, I had been so disillusioned by the current series, that upon seeing the trailer for another 'Slitheen' episode, I gave up and didn't subject myself to the torture.<br /><br />Bad Wolf - Reality TV, arguably the worst facet of the modern media, is basically used as the premise. There's no subtlety whatsoever. Do we get any interesting social commentary as in the likes of The Running Man or Truman Show? No, of course not. This in an RTD episode, so they're basically here to cynically try and pull in the audience of said shows. Once again, logic goes out the window, as we're placed 200,000-something years in the future. RTD tries pointlessly to shoe-horn in some 'over-arcing' story here, with no relevance other than it's own existence and when the villains are revealed at the end... They make empty threats, and the Doctor grins once more like an idiot for the climax! Faster paced for the most part, than RTD's other efforts, this has one or two interesting moments. Otherwise, another lacklustre instalment.<br /><br />The Parting of the Ways - The big finale. More of a damp squid, literally. All of the Dalek menace set up in 'Dalek' is brought crashing down, as they become rather pathetic. So many plot holes riddle this episode, with typically poor contrivances. Daleks want to harvest humans as Daleks, but then vaporize entire continents? Dalek's can vaporize said continents, but not destroy the Tardis in space? The Tardis is now indestructible and can land anywhere, even over people so they can be saved in it? This ability can't be used to easily destroy the Dalek 'god'? The Daleks can vaporize entire continents, but don't just nuke satellite 5 to destroy the doctor, and instead let him play around? The doctor is a pathetic coward without the conviction of his actions, after eradicating his whole species to try and eliminate the Daleks? These and many other holes aside, we are treated to the lamest dues ex machina solution ever conceived, joined with a near pointless story arc.<br /><br />So what can we say about the new series, all-in-all?<br /><br />Would this have gained a second series if it were anything other than Doctor Who, with RTD behind it? Would most of the episodes have been seen as anything other than un-original and forgettable, if they were anything other than Doctor Who, and had RTD's name attached? I think not.<br /><br />Some people would have us think we can't say anything against RTD, since we owe him for bringing Doctor Who back to our screens. However, this at the expense of good characters and stories. Personally, I'd rather not have a poorly planned, ill conceived product, churned out at that price. I'd rather wait till someone could come along and make a genuine effort. For the most part, this is the kind of puerile rubbish that gives SF a bad name, marring what is otherwise the most creative genre.