Although allegedly autobiographical, this movie demonstrates very little insight both into the protagonist's psychology (resulting in a flat, fragmented characterization) as well as into larger-scale historical processes, and my hope of either learning something new or improving my understanding of contemporary Iran remained unfulfilled. Instead, I found my sensibilities somewhat dulled as a succession of bearded Islamic villains replaced each other taunting, torturing or killing the wantonly victimized prototypical middle-class Iranian whose Western cultural sympathies were patent (and whose exoneration the movie quite blatantly seeks.) The deeper understanding the movie does seem to demonstrate is that of the mass-media market, as it serves to nourish prevalent occidental folk-ideologies (i.e. a "crowd pleaser").

What redeemed the movie from being outright boring was its creative animation - genuinely minimalistic imagery which, nevertheless, always kept the screen rich, expressive and unambiguous - no small fete for which I do give it some stars.