A yawn-inducing, snail-paced disappointment, Inside Man tells the story of a detective (Denzel Washington) who is under investigation due to his possible involvement in a case of missing money. When a bank is robbed and hostages are held against their will by a mastermind thief (Clive Owen) and his team, the detective is assigned to coerce the thief to surrender – his one shot at proving he is innocent and worthy of his position. Enter a powerful woman (Jodie Foster) with secrets and intents of her own, sent to recover an item from the bank owner's safety deposit box that is stored within the bank, and you have quite the three-way dilemma. Unfortunately, all you get it set-up in the film, and nothing pays off in the end. Denzel Washington is at his most uninteresting in an ineffective and distastefully egocentric performance. The only saving grace for the film is its competent co-stars Jodie Foster and Clive Owen, who are much better than the film itself. In fact, Jodie Foster delivers the most surprising and high-caliber performance playing against type as a ruthless, cutthroat villain of sorts. Clive Owen isn't given much to do besides brood and pose, but the depth of his presence and his achieved acting ability more than make up for his underdeveloped role. It's strange that so much talent is wasted on this film of little impact or interest. You have to wonder what director Spike Lee was thinking while he was creating this film. The most perplexing aspect of Inside Man, however, is how much unwarranted praise it has received. For a film that seemed to have all the makings of a pre-summer blockbuster, this one falls horribly flat.