The title sequence shows the credits written on a rain-soaked sidewalk as people trod on it; music is provided by someone whistling Alfred Newman's "Street Scene." Then we meet Det. Sgt. Mark Dixon (Dana Andrews), who always wanted to be something his old man wasn't: a guy on the right side of the law. But he's pretty vicious for a good guy. After several complaints over his roughing people up, his boss, Insp. Nicholas Foley (Robert F. Simon), demotes him. Foley tells him he's a good man, but needs to get his head on straight and be more like Det. Lt. Thomas (Karl Malden), who has just gotten a promotion.<br /><br />Meanwhile, Tommy Scalise (Gary Merrill, in a splendidly slimy performance) has an illegal dice game going and is looking to make a sucker out of the rich Ted Morrison (Harry Von Zell), who was brought in by Ken Paine (Craig Stevens) and his beautiful wife Morgan (Gene Tierney). She figures out too late her husband is using her as a decoy, and Paine strikes her when she refuses to play along. The chivalrous Morrison intervenes but Paine knocks him out cold. That seems to be the worst of it, but later it turns out the guy is dead; and Paine looks guilty.<br /><br />But this won't be Paine's story. Soon Dixon has fallen in love with Morgan—but not before losing his temper again and committing a terrible deed that he tries to cover up. Morgan's father, a tale-spinning taxi driver (Tom Tully), may take the rap for it. It's up to Dixon to try to pin the blame on Scalise.<br /><br />Otto Preminger directs a script credited to Ben Hecht and three others from the novel "Night Cry" by William L. Stuart. This is a solid film noir with excellent performances and all the shadowy photography and murky morality we expect from this genre. It holds up until the brightly lit ending, which looks like something the studio had filmed to appease the censors. Of course, the classic noir directed by Preminger and starring Andrews and Tierney is "Laura." You'll enjoy this, but you can't miss that.