Hoping for another Academy nod, Jean-Xavier de Lestrade unsuccessfully tries to duplicate the gritty, grainy realism that won Maha productions its first Oscar.
De Lestrade's earlier cinematic critique of the US justice system, "Un Coupable Ideal," won the 2002 Academy Award for best documentary feature.
Unfortunately, Maha's second movie about a murder on a Sunday morning fails to capture any of the reality of the North Carolina murder case, and ends up being nothing short of fantasy.
The filmmaker has bent over backward to create the impression that the accused killer, Michael Peterson, is the innocent victim of a wide-spread conspiracy.
Jean-Xavier de Lestrade's strangely biased movie masquerading as a real-life documentary represents a tragic fall from the honesty of his other work.