"Firewall" puts Harrison Ford between a rock and a hard place. Here's a man who's a power-player in his field forced to sabotage his career by money-hungry men with no regard for his profession. These men wear suits and inhabit the boardrooms of the biggest studios in Hollywood. But what about the movie?
In this second-rate action flick, Ford plays computer security specialist Jack Stanfield, a loyal bank executive and serious family man who lives in a stunning house with wife Beth (Virginia Madsen) and two kids. But a bigger company is about to buy out Jack's bank and, as a result, his company is under more surveillance than usual.
We learn early on that Jack's family is being watched also. The film opens nicely with footage of the Stanfield family going about their daily business and it's footage obviously shot in secret from a distance. After the montage is over, however, the voyeuristic thrill of stalking an unwitting target is never again recaptured. Instead, we are treated to the achingly slow process of Jack being introduced to and later cornered by villain Bill Cox (Paul Bettany).
Cox is a straight-faced criminal plotting to use Jack's technological know-how to break the codes and circumvent the firewalls built to protect Landrock Pacific Bank's millions. He and a group of young gun-toting mercenaries barge into Jack's life and take the family hostage - a persuasive tactic, one would think, but it takes Jack a surprisingly long time to understand the gravity of this threat and take appropriate action.
Cox's crack team doesn't exactly have a lot of "crack" left in its whip. These amateur goons are obnoxious and bumble around not at all invested in what they're doing. Much of the movie shows them cloistered in the Stanfield household, eating food and watching TV while their prisoners wander around more or less undisturbed and certainly not imprisoned.
In fact, nobody seems to care about the situation not the kids, not Jack, not Beth. So why should director Richard Loncraine expect us to care either? Madsen was brilliant in "Sideways," but in "Firewall" her performance is lacking. There are no hysterics, no tears and no signs of any inner emotional struggle when strangers threaten her with guns. Instead, Beth is calm, which, in the context of an action-thriller, is a counterintuitive choice for the actress to make. Nevertheless, it's Harrison Ford who seems to be making most of the bad choices these days.
As I watched Jack sit on the couch in one scene, the deep crags in his face twitching as he tries to figure out how to get out of this situation, I wondered if what I was really witnessing was the actor behind the character trying to figure out a way to get out of this movie. Ford's effort is admirable, but, unfortunately, the half-baked script and meager direction undermines any positives brought to the table.
It's a shame, too, because "Firewall" also features the talents of veterans such as Robert Forster ("Jackie Brown"), Alan Arkin ("Slums of Beverly Hills") and Robert Patrick ("Terminator 2: Judgment Day"). Mary Lynn Rajskub of "24" fame also stars, reprising her role as the only girl you can trust at the office. Stick to Jack Bauer, Mary, and I'll stick to television when I want a good thriller.
Incidentally, guess what's up next for Keifer Sutherland: action-thriller "The Sentinel," with old-timer Michael Douglas in the lead. It just keeps getting better, doesn't it?
Copyright (c) 2006 by Lauren Simpson