I picked up a copy of this because of its alleged stereoscopic content. Much of the tape had such poor registration that the stereo effect was lost. A couple of scenes were close enough so that one could see a little depth, but not most of them.
In the copy of the Rhino videotape, there was the tape and two sets of anaglyph glasses. For standard color anaglyph presentations, the left filter is red; the right, blue or cyan (or sometimes green). This one has it reversed, and on the glasses it says to use them in the red-right orientation to see this film, and the standard way to see Robot Monster or The Mask. Well, it's cheaper than redoing the film recording, but if they'd done that, they might have avoided the misalignment.
The film story is pretty weak, and rather silly. In the opening scene, the rocket, which looks similar to a radiator hood ornament, is blasting along, and someone at White Sands is trying to contact the ship. The crew starts to recover from ... what? ... the strain of takeoff? ... without responding for the longest time. Eventually, the commander responds with the equivalent of, "We're okay, now shut up." The rest of the crew objects so strongly that he lets each one of them report his or her conditions, but advises them to keep it short.
As has been observed, the command area of the ship employs office furniture. Each crewmember has a locker, like those found at high schools.
When they go to explore the lunar landscape, it's interesting to see that the space suits are of two different designs. How hot the lunar surface is can be seen by dropping a cigarette onto the surface, where it bursts into flame. Pretty good trick for a part of the moon that ostensibly had no atmosphere.
The technical gaffes ... no, make them howlers ... are so great that it propels the film immediately from science fiction into pure fantasy. Children's fantasy at that.
This is not a film to be taken seriously. If you like honest camp, though, you might find it fun.