Lonely teenagers Wyatt (Mitchell-Smith) and Gary (Hall) decide to make a woman that fits all their requirements from a computer, only to find not everything fits perfectly.

There were two words that attracted me to this high school comedy, John and Hughes. The mastermind behind the conceptual excellence of skiving school to live in Ferris Bueller's day off to the film that showcased how teenagers really felt about their suffocating parents in the Breakfast club, the man seemed to have his knowledge spot on regarding teenage life.

What emerges is a pretty standard and very degrading depiction of lonely lust, containing two teenagers who are the good guys, but are hard pushed to maintain that.

Anthony Michael Hall, a hero from the Breakfast Club, feels repetitive and loud in another role for Hughes. Mitchell-Smith likewise feels weak and a stereotype of high school repression and against Hall, we have the most conventional and boring comedy duo ever mastered, which is a great shame for a director and writer who also created some of the best teenage comedy ever.

The premise for the story sounds promising, two lads attempt to break science through some technological mastery in an attempt to fulfil their lust on a weekend away from their parents.

So after some degrading and embarrassing perversion by the lead duo on cheerleaders and a head turner away from dropped pants do the duo retreat to their sanctuary and form an hyperbole of illogical science to fulfil their uses and gratifications. Through some fast flowing wires and a bemused science guard to the pair get their just deserts.

One thing John Hughes usually does perfectly is introductions and Kelly LeBrock's opening shot is the equivalent of Megan Fox in Transformers, a slow panning from her legs upwards in a small Barbie styled costume, a beautiful introduction which is maintained through the nest few scenes as she jumps into the shower with the two lads, uses provocative gestures such as late drinking and kissing practice to keep any horny male teenager hooked.

Certainly LeBrock hits the nail on the head, acting flirtatious and forward to justify her character as perfect female, until the inevitable outcome the plot always has in mind, there is more to a person than looks tag.

Through some careful shots and repetitive music we see the story pan out as any other romantic comedy would and there are minimal surprises to generate a good watch, particularly when the humour is gross out and shamefully degrading to the actors.

The final nail in the coffin is the change in personalities of the final act and as predictable as the coming of next year will have you shaking your head.

Certainly not too much consequence came from this film as there were Ferris Bueller's amongst others to follow and create a reputation of teenage comedy mastery.